Talent for label and independent productions
Music videos are cast fast and shot faster. The schedule is usually a single long day, the treatment moves between setups, and the talent has to carry a mood rather than deliver lines. We cast for presence on camera and for stamina across the day.
Show finale under wash lightingA treatment tends to want a face that holds attention through a wide, an intimate close and a moving shot, sometimes within one verse. That reads in moving footage and rarely in a headshot, so shortlists here lead with video.
Neon-lit fashion film, on setWhere the treatment involves choreography, movement ability is a hard requirement and we verify it rather than take it on trust. Trained dancers, freestyle movers and talent who simply move well are noted distinctly, because a choreographer needs to know which of the three has arrived.
Tweed collection, full runwayMost of these shoot in a single compressed schedule with wardrobe changes between setups. We confirm call times, wardrobe sizing and turnaround with the production before the day, so the first hour is spent shooting rather than sorting.
Talent for label and independent music productions.
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Faster than most formats, because the shortlist is smaller and the decision is usually made by one or two people. The honest constraint is availability: a compressed schedule means a single date, and a single date narrows the pool sharply.
Yes, and we separate trained dancers from talent who move well, because a choreographer plans differently for each. Send the style — classical, hip-hop, contemporary, folk — and the shortlist is built to it.
Usually broader and longer, since a music video lives on streaming platforms indefinitely. That is priced into the quote up front rather than treated as a renewal, so a video does not have to come down or be renegotiated later.
Dates, budget band, usage and the look you are after. We come back with a shortlist and a quote rather than a folder of profiles.
